Das In-Ear Monitoring-System LD Systems MEI G2 mit 96 UHF-Kanälen bietet einen großen Dynamikumfang in den Bändern – und – MHz. Die MEI G² Serie von LD Systems ist sinnvoll ausgestattet und bietet professionelles In-Ear-Monitoring zu einem attraktiven Preis. LD Systems MEI G2 BPR Empfänger: paultattoo.com: Musikinstrumente.
Info zu diesem ArtikelDas neue LD Systems MEI G2 In-Ear Monitoring-System mit 96 UHF-Kanälen bietet eine überragende Klangqualität und einen großen Dynamikumfang in. LD Systems MEI G2, UHF Wireless InEar-System bestehend aus 9,5" Stereo Sender MEI T, Bodypack-Empfänger MEI G2 BPR und Ohrhörer, bis. Das In-Ear Monitoring-System LD Systems MEI G2 mit 96 UHF-Kanälen bietet einen großen Dynamikumfang in den Bändern – und – MHz.
Ld Systems Mei 100 G2 Nemáte u nás účet? VideoLD-Systems MEI 100 G2 defect
The receiver displays whether mono or stereo operation has been selected on the transmitter station. The regulation of the input volume is located on the front, in contrast to the MEI , in the form of a single input-level controller, however both channels can be controlled at the same time.
The ratio of the two input signals to one another, whether this is a stereo signal or two separate mono signals, is set at the MEI in using buttons on the receiver.
There is a dual-mono operation hiding behind this. If two mono signals are sent to the transmitter, e. The cheaper MEI also has this regulation option, but you have to adjust the ratio between the two signals solely on the controls on the back of the transmitter, not on the receiver.
This is clearly a serious disadvantage compared to the MEI , especially in rack mounting, provided that you wish to use this feature.
In size and shape, the two candidates differ only marginally. The visually striking difference is the colour of the illuminated displays on the transmitter and receiver.
If the receiver is to be put into operation, the volume control should be turned slightly to the right until it overcomes a barrier-catch, which protects the controller against being switching on and off unintentionally.
Depending on how much the user moves around, it is advisable to attach the device with alternative methods. As a special feature for live situations, they assume the additional function of balance control for adjusting the stereo or volume ratio of the two different signals in dual-mono mode focus mode.
Although it come off relatively easy, but you have to fumble about to get it fully off if the battery compartment is empty.
There are no other movable elements on the receiver that could split or break off accidentally. They lie horizontally in the device, are easily accessible, and can be changed accordingly quickly and easily.
If the unit is dropped in a live situation, however, it is according to experience that this form of construction means that the battery compartment easily pops open and the batteries fall out.
This too is an argument for an adequately-locked pocket instead of the mounted terminal. Limiter: There is an option of using a limiter to switch the signal path.
This protects ears and listeners from any volume spikes, as may arise, for example as a result of feedback or loud cracking noises.
Locking function locking the receiver : If this option is enabled, you cannot make any changes using the scroll keys, and thus the receiver is protected against accidental changes.
Focus mode: As previously mentioned, a mode can be activated on the MEI receiver, which receives both input channels of the transmitting station as equally loud mono signals.
For example, your own signal vocals, guitar, bass, etc. The ratio of the solo signal to the rest can be easily set on the receiver.
Earphones in general The earphones included are sufficient for an in-ear beginner to get to grips with the material. The enclosed three silicone attachments do not however ensure an optimal fit for each ear.
Only specially-adapted earpieces can offer a really good and secure fit, but these are naturally much more expensive, but if they are properly cared for, will last for many years.
I also know colleagues who get along very well on stage with bog standard iPod earphones. Trial and error is called for here.
Personally, I have been working with in-ear systems for 20 years and I would like to do without the adapted version.
The fact is that the earpieces are not adapted, and this makes it very easy for them to fall out, and that is bearing in mind that minimal changes in ear position make massive differences to the sound.
Steuern und Zollgebühren, zzgl. Der Artikel wurde erfolgreich in Ihren Warenkorb gelegt. Auf die Wunschliste. Teilen Facebook. For shure, it ain't the sound, which you will get out of your professional monitor speakers in the studio, but it's quite good especially for live situations, where you are often surrounded by lots of different noises.
In live situations I don't use the stereo mode. I get a signal from the person who does the monitor mix.
The signal contains everything except my keyboard sounds. The second signal is a monitoring signal from my keyboard submixer, that I also use on stage.
With the MEI G2 you can use the mono-mode to mix two signals. So I can adjust the bandvolume and the volume of my keyboards as I like, and I'm not depending on the monitor mix of someone else.
The in ear headphones are ok. They reduce the environmental noise as much as my Elacin ear protection with 25db filters.
All in all the monitoring situation is much better than it has been before. And that counts! I am not oversensitive to the sound quality so I have used tthis without any big issues.
My bass player however could not as it distorted the sound on lowest frequencies too much. Battery indicator goes almost immediately to only 2 bars but stays there until the batteies run out.
The most annoying part is that when they do run out you get a constant clipping of sound dropout into your ear so you have to rip it out of your ear immediately to replace the batteries.
Midsong that can be quite disturbing. Read all reviews Rate product. Show variations of this product. Free shipping incl.
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Wahlweise können also entweder ein Stereosignal oder zwei Monosignale eingespeist werden. Beide Sendestationen haben einen Netzschalter auf der Vorderseite sowie einen zusätzlichen, regelbaren Kopfhörerausgang mit 6,3 mm Stereoklinkenbuchse.
Laut Hersteller können bis zu fünf verschiedene Systeme parallel betrieben und pro System beliebig viele Empfänger angeschlossen werden.
Bei Letzterem werden alle Empfänger auf die Frequenz der gewünschten Sendestation eingestellt und empfangen so auch alle das gleiche Signal.
Für kleinere Konferenzen mit mehreren Simultanübersetzungen könnten diese Systeme also durchaus ausreichen.
In beiden Fällen erfolgt die Balanceeinstellung zwischen diesen beiden Signalen - ob zwei getrennte Monosignale oder ein Stereosignal - über diese beiden Regler am Sender und nicht über den Empfänger.
Der Empfänger zeigt auf seinem Display an, ob an der Sendestation Mono- oder Stereobetrieb ausgewählt ist. Dahinter verbirgt sich ein Dual-Mono-Betrieb.
Liegen zwei Monosignale am Sender an, z. Vor allem im Rackbetrieb ist das eindeutig ein entscheidender Nachteil gegenüber dem MEI , sofern man diese Betriebsart für sich in Betracht ziehen möchte.